We left Seattle at eight Saturday morning, making a stop for camping food and gas in Ballard and then making a beeline east on I-90, stopping just after Snoqualmie Pass to relieve ourselves at a rest stop, and then in Ellensburg to diagnose a flappy taillight casing. It was benign, just annoying to look out at in the side mirror as it resembled a confused fledgling hummingbird. We got to the Gorge campground around 12:30 and then spent, excruciatingly,
(in the photo, my response to the unbearable wait, and the canadian/pirate flags seen in the distance.)
However, Beirut was awesome. I am a huge fan of horns and strings in my rock music, and
After Beirut came Ozomatli, which I wasn't familiar with but their latin hip-hoppiness was fun to chill to on the lawn while commencing the weekend-long peoplewatching-fest, which was quite colorful. I was looking forward to seeing The National, but sadly (as Rainn Wilson, the dude playing Dwight Schrute in the Office, and a native Northwesterner, reported), their bus was marooned in BC when something vehicular failed and they had been moved later and to a different stage. I didn't end up seeing them as the schedules didn't align right, but the Fleet Foxes, who'd played at noon on a smaller stage, filled the gap, and were a nice, mellow, folksy filler. Maybe I should have seen Rogue Wave, haven't seen them live either, but oh well... the sun and the scenery and the Fleet Foxes were not bad at all.
Next came the New Pornographers, the local-ish BC wonder team, which I was really looking forwar
I had also been greatly looking forward to the Grand Archives, the Seattle band that's made it pretty big on the local scene and owns the Redwood on Capitol Hill. I picked up their album a few months ago and have been enjoying their smooth, hummable, folksy indie rock ever since. The catchy whistling intro in "Miniature Birds," the dreamy retro-ey vocals, the addictive bass lines, the country guitar in "Setting Sun," the harp intro in "Sleepdriving..." It's poppy and smooth and mellow at the same time. I'm a convert. I swoon.
I forwent the National on the Yeti Stage and descended back to the mainstage for some MIA. Which was out of control. That girl is i
After MIA came local indie rock powerhouse Modest Mouse, who, after over ten years, gets better live every year. Historically known for being wild and sloppy and drunk at shows, age and/or increased popularity has made them more refined every time I've seen them over the
Sometime during the end of the Modest Mouse set, I think, it started misting, and it was nice, given how warm it had gotten, but it slowly increased in intensity, and rain commenced.
Next, the closer that night, was REM. I'm a big fan of their older stuff, but they were promoting their new album, and I didn't get hooked so I didn't buy it and am not very familiar, so I spent most of the time, during the rain, waiting for the classics, and that whiny bitch sitting next to me who I was stuck with sleeping to my left and hitched a ride out in my car wasn't a fan of REM, only the local indie stuff, and started whimpering from where she was curled up under the blanket that she wanted to go back, so I finally caved and got to hear them start the classics from the walk back. Bastards, you all! Salope!
And yeah, we'd thought- oh, it's so warm, and we don't want to miss Beirut, let's rush and not put the rain fly on. We came back to a tent that despite luggage and a cooler weighting it down, had levitated and shifted eight feet, and was well-soaked with water on our sleeping bags, pillows, and pooling on the floor. Awesome. Way to go, city kids (what happened to my girl scout training? surely my Cadet -yeah, that's right, I made it real real far without officially dropping out- scout leaders would not have approved of the diet heavy on Doritos, Oreos, and alcohol, and lack of light. ) It's okay, my hoodie made an excellent pillow.
Currently listening to: Grand Archives, Modest Mouse, MIA, Hot Chip, New Pornographers, Broken Social Scene, Radiohead, Foals.