Monday, March 31, 2008

sasquatch!!!


holy sh!t! it's going to be epic this year!!! think I'm going all three days. I go through little bouts where I think I might burst with anticipation. I'm especially looking forward to (in alphabetical order):

Beirut!!
The Blakes
Built to Spill!!
Cold War Kids
The Cure!!! (did I ever mention that I saw them at the colosseum...? ha)
Death Cab for Cutie!
The Flaming Lips UFO
FLIGHT OF THE CONCHORDS!!!!!!!
Ghostland Observatory!!
Grand Archives!
MIA
Modest Mouse!!
New Pornographers!
The Presidents of the USA
Rodrigo y Gabriela!
REM
Rogue Wave
Siberian
Tegan and Sara!
Truckasauras!!

And this Choir Practice group sounds intriguing to me, likely partly because I am a former choir practice attendee. Canadians doing harmonies...I could dig that.

woo hoo! eph flowers on the headstones of my ancestors, this memorial day is going to be all about me and the sweet tunes. and some sun. please, sun, make an appearance at sasquatch. please please.

Sunday, March 30, 2008

?

After having my mother over for dinner, I found this in my bathroom. I can read all sorts of messagess into the chocolates on the scale... especially given the unique nature of a mother-daughter relationship. I'll choose to believe the best here. That's a happy face, right?

Eccentricity...like mother, like daughter.

Wednesday, March 26, 2008

Electric Feel

As mentioned previously, I am shamelessly addicted to MGMT's new album "Oracular Spectacular." The songs are all quite catchy, but I am like a kid with the latest Disney movie, listening to this over and over-

Electric Feel:
http://whoismgmt.com/efvideo/

So dancey; I love the beat, the bass, the lyrics crack me up-
sun in the amazon
with the voltage running through her skin
standing there with nothing on
she gonna teach me how to swim

...i said ooh girl
shock me like an electric eel...
Other MGMT faves worth sharing:

"Kids"- also quite catchy (this is not by the band itself, but someone's class project)
control yourself, take only what you need
"Time to Pretend"- Models, heroin, Paris, kittens. What more could indie-rockers want?


Coming to the Emerald City at Chop Suey this spring. Rock on, Wayne.

Tuesday, March 25, 2008

officially recognized language

O HAI erika!

Now you know how to greet people in Lolspeak!

When I went to sign in to my Flickr account today, this is what greeted me. (I copied that directly from the homepage) Not Portugese, Hindi, Cambodian... Lolcats. I love it. Those close to me know I am a fan of the Lolcat, the icanhascheezburger. I am mocked by plenty.

...but hay guise...no rly...I love ceilingcat, monorail cat, happycat, even lolsqrl and the bukkit-missing lolrus. Iz a trnin point in hztry. Ur peepl haz a bible. U can haz capitulizum. Oh hai, I upgraded ur cltur.

I embrace you, lolspeak, and I spread your good word. Ur werdz.


Monday, March 24, 2008

on depression- II

The process of articulating and objectifying what I went through, naming it clearly as something separate from myself was and is therapeutic in itself. Reflecting upon it rationally helps bring understanding, and brings sanity and clarity to an experience that feels so completely insane, confusing, and demoralizing.

However, I cannot help but re-read what I wrote previously and feel that it sounds somewhat odd to be so cool and removed in expressing something so emotional. It kind of reads like a documentary written about me by a third party. Granted, I wouldn't expect to have people take me seriously if I came off as melodramatic or overreacting. Still, I think that in chronicling the experience objectively, I understate the extreme emotion of experiencing depression.

I'm generally a pretty level-headed person, so that may be part of what made me sensitive to the overwhelming emotion. Also usually a cheerful person, this new-found deep sadness, the despair and isolation and shame, the inability to feel any hope on the horizon despite the strong desire for it to improve...it was too much for me to take in, and was drowning me. Even though, intellectually, I knew that it would get better eventually, and those supporting me during that time tried to help me feel hope, I couldn't, and I was isolated in a lonely haze of depression that panicked me. I've always been influenced, even fueled by my relationships and interactions with others, and here I could not see past the haze of isolation to attempt to get there again. It was frightening. All of it was very frightening.

Going through that taught me to put less pressure on myself and be kinder to myself. I'm pretty driven and can be ruttish; this has helped show me the importance of sometimes taking things as they come. I'm still trying to figure out what's most important to me at this point in my life; where I want to be living, what I want to be doing and how and with whom, but I know now that it's best to take it bit by bit and see where the winds take me, rather than stressing out about not having everything bundled together into one clear solution until my head implodes. Or at least that's what I'm trying to impress upon myself....

In all things, balance, moderation, and empathy.

Thursday, March 20, 2008

on depression

-

It first hits like a mysterious, dark, unknown force wreaking havoc on your life. For me, it seeped into my existence like some sort of invisible acid through my veins, slowly eating away at piece after piece of my being: it corroded my soul, my thoughts, my relationships, my health... masked as my own personality until it was clear that some sort of beast had taken over my once-competent, once-sunny, once-healthy person and was sabotaging it.

It is clear now to me in retrospect what this beast is, and how it works on me, but at the time, not knowing why things seemed so out of control was frightening and disabling. It took months of unhappiness, sleeplessness, dozens of pounds lost as the result of not eating, hopeless, despondent crying in every imaginable setting, the inability to focus or complete work, and a physically aching, ailing body before people- friends, parents, coworkers, finally practically shook me to get me to realize that something was really wrong, that it wasn't a sadness I should or could deal with on my own or "pull through," as I'd wanted to believe. Something had taken over me and was increasingly sapping me -as I and others knew me- away, and it got bad enough to frighten the people that cared about me.

Though it was excruciating not only to go through this but to drag those around me through it, I will be forever grateful to those who held my hand and walked with me during that trying time. Even now, in reflection, I tear up.

It is difficult to convey the essence, the feeling of depression to anyone who has not experienced it first-hand. Experts explain the onset of depression as being a predisposition stimulated by circumstances. That's where the clear, simple analysis ends, as I see it. According to professionals and those who have been affected by it, there seem to be a common menu of experiences and feelings associated with it. Of course, like most conditions afflicting the vastly complex and varying human body, it can manifest itself differently given severity and the individual. Being a condition mainly associated with the mind, personality becomes a lens for not only experiencing it, but perceiving, interpreting, and expressing it also.

The conditions that provoked my depression are complex, still sore, and not worth belaboring here. I lost a lot that was important in my life and was treated hurtfully by those I had held very dear to me, and it was enough to send me into shock, apparently. There was an extended period of denial and avoidance that allowed both my own condition and the conditions in my life that stimulated and parlayed my depression to worsen and snowball. One of the hardest things for me to reflect upon, now, is how I was floundering through life during this time, unaware how the depression was sabotaging so many aspects of it, and how if I'd have been depression-free, or at least cognizant of the force that was affecting me, I would have handled things differently; how things might have played out differently. But it was out of my control then, and the past is certainly complete.

My life, and the future I saw for myself, morphed into something unrecognizable to the me of a year before. The shock became accompanied by a deeper sadness than I'd ever known, along with loneliness and isolation, and hopelessness, another beast that was new to me. It was as though I was physically being filled to the brim with sadness and loneliness; it was flowing out of my body in aches and tears and entire nights spent by the toilet. At the same time a plug had been pulled somewhere else- all the color, happiness, and beauty had been drained from my existence. Nothing interested me- I couldn't even get close to books or music or cooking or gardening, I had the mental nor physical energy to do anything; neither the patience or interest to focus or think about anything but the sadness welling up from within. My labor-intensive garden in my expensively-rented real estate shriveled up, and the food it did bear rotted on the vine. I remember, repeatedly, lying in bed and trying the tactic I'd used historically when I was blue- asking myself what one thing could make me happy right now, what could I do, or have, or make, or eat, to make myself feel better, and there was just a scary black hole where that answer should have been.

The hardest part in all of this was how it affected my identity. I have always viewed my brain as my biggest asset. My creativity, intelligence, humor, and passion for having a positive effect in the world have always been my defining features more than any tangible parts of me or things I'd achieved or acquired, and I felt depression stealing them from me. My often quirky and comical personality was now lame, clunky, slow, and placid. I could not design, could not analyze, remember, be a good or even amusing friend, could not do much for very long before checking out into a vacant or downcast stare or crying. For a stubborn, independent-minded individual who never let others see me crying previously, it was a huge blow to my identity, and a glaring sign that something needed to be done. I became good at crying silently, and looking like I wasn't while doing it. (I remember thinking that it's probably quite unsettling to look at someone with a blank stare and tears streaming down their face; I think I'm well beyond that now, thankfully.) I have always had a memory that selectively checked out occasionally, but I found myself forgetting important things,-work assignments, entire conversations and promises, and where I had put things, in a matter of minutes, over and over again.

It was disturbing to have not only my emotional acuity compromised, but also my cognitive and analytical sides, which I never would have realized would be affected. What would be left of me but a pile of vegetable matter, at this rate?! Twice, after driving to work under unusual circumstances, I left my truck parked by the office and took my usual bus all the way home before realizing (or having someone remind me of) my error. It's very scary to have your brain revolt on you, and I'm finding that my cognitive rebound is slower than I'd expect, given the emotional progress. I still find myself unfocused oftentimes at work, and do a lot of forgetting. I'm becoming better at writing things down.

Another disturbing symptom is the physical effects. Some of it, naturally, was a direct result of my reaction to the distress- not eating or sleeping will hurt. But headaches and body aches would come and go, ones I'd had like never before and unrelated to, or long after the sleep deprivation or hunger. Apparently it's not uncommon, but it still remains bizarre to me how such a mental issue can stimulate something so entirely physical.

It's taking a lot to get beyond it, and it might be something I see manifest itself in my life again even after I do make it past this bout. As slow as it was, the process of gradually rolling toward this hole before diving deep into it may end up being equal to or even less long of a process than that of climbing back out of it. The depression ebbs and flows, seeming to have vanished at times, and then, stimulated randomly, creeping up on me and sucker-punching me when I'm least expecting it. I'm learning to fight back. As the professionals reminded me, it's an illness, and it has to be treated, like any other ailing part of you would. Mental illness sounds very strong, something for those within rubber walls and straitjackets, but depression is a type of complicated ailment of the brain, also, even if very different from the stereotypes. It took multiple trips to the doctor to get me to allow them to come to the diagnosis and help me treat it, but the many-pronged fork to tackle this for me has included research, counseling, autobiographies, and yes, medication, but most importantly, support.

I cannot overstate how valuable support is to someone suffering with depression. It's people without support, or too severely depressed to take support, who contemplate suicide, as the pure hopelessness and desperation causes people to question the value of their continued existence. Depression got scary for me, it was pretty severe at times, but I never thought about suicide. When a couple of the few people I held in my first ring of support were not there for me, I made the mistake of avoiding reaching out to others for support because I was proud. It is very difficult to see someone one cares about battle significant depression, I could tell by the reactions of the people around me. I did not want to be the needy, fair-weather friend who had been absent when distracted and happy, and then came crying when they were sad and needed something. But being proud was silly and only prolonged and worsened the painful suffering that stems from loneliness and isolation; it was glaringly obvious to many when I spent any time with friends that something was up, and once it became apparent, many people were more spiritually generous than I'd have ever expected. It was wonderful to be reminded of how many kind people I had in my life, even when I don't see them all the time. As I became much more cognizant and accepting of, and communicative about the situation with time, it also became much easier to accept support.

Not only is it difficult for people to see loved ones battle depression, it can also be very hard to help them through it; it's a very introspective dilemma with related introspective questions to ask oneself and obstacles to overcome. For me, no specific conversations or strategies offered by others would lead to feeling better, it was mostly just having people to talk to, commiserate with, distract me, and be a physical presence that became the healing/coping process that helped.

The black hole shrinks slowly, and until it's gone I need periodic support and distraction. It's so very much smaller now, but I haven't been able to forget its presence once, and I can't predict when it will contract or expand, the change in momentum causing me to lose my footing temporarily like a packed bus slamming on its brakes in rush hour. Perhaps the biggest part was learning to recognize the gaping maw of the beast, even to recognize that I was being consumed in the first place so I could react and defend myself. ...and have the foresight and wisdom to let others have my back as I meet it head-on....

Tuesday, March 18, 2008

more on mgmt

lyrics that make me giggle-

"ooh girl...
shock me like an electric eel"

(eels. so hot.)

"Let's make some music make some money find some models for wives.
I'll move to Paris...
Love must be forgotten. Life can always start up anew.
The models will have children, we'll get a divorce,
we'll find some more models, Everything must run its course. "

MGMT might be more about the immediate sound and raw aesthetic feeling than any deeper meaning...i'll not let this eclipse the rockin tunes however.

Sunday, March 16, 2008

bittersweet


I'm in Portland again to hang out and catch up with some friends.  On the train ride down my throat started vaguely hurting and now here I am on a weekend trip, pretty damn sick.  I had had visions of strolling around town windowshopping and sipping cocktails nonstop, but now here I am, back before last call, already in yoga pants and a borrowed sweatshirt, sneezing and coughing away.  Boo.  Well, at least the weather is lame, also, here.  Rained buckets this afternoon.
And apparently lovely in Seattle.  Ha.

Friday, March 14, 2008

i got a 95

Green is very hip these days (compared to previous days). Interesting how it's taking on, with regard to marketing, there are some novel approaches out there, and even the "greenwashing" of products or concepts that aren't much more sustainable than their traditional counterparts. But if there's one thing that cannot be debated, it's walking more and driving less. Better for our wide American bottoms, and the embarrassing score we get RE: energy consumption.

There's a cool calculator, Walkscore, which will score your home's walkability within its neighborhood:

http://walkscore.com/

It indexes all of the amenities, down to a hundredth of a mile in distance, to your home, and gives you a score. You can link it to real estate websites when selling a property. Pretty cool, says the Landscape Architect / Urban Designer nerd that I am.

Of course there are always flaws in an automated system, I noticed some of the amenities listed as closest weren't really the closest, but it's still a good tool for evaluating a location quickly.

On a broader scale, there's the concept of One Planet Living, which is a nice lens for both personal and global impact. The concept behind it is that given the way that many of us live, there are not enough resources to go around if we were all to live that way. If everyone on Earth were to live like the average European it would take three worlds, and five if we all lived like the average American. Test your ecological footprint on the WWFs website and they'll compare your impact to the average American, European, and African individual's. It will then also give suggestions of easy and high-impact changes you can make given your lifestyle to reduce your footprint. I have a pretty small footprint compared to even the average European, given my lifestyle, but there is always a way to improve...

Here's to a future.

Monday, March 10, 2008

music is my hot hot sex

aka "tunes that rock my world"

I just bought MGMT's "Oracular Spectacular" and I can't get enough...it inspired me to think about all the good music I've been blessed with recently. in the past few months I've acquired a good deal of good new albums (also been to some good shows, woo hoo)- I'm going to inventory my faves. (note: I'll be adding to this with time, it's too late to finish in entirety tonight.)

MGMT-
Brooklyn group, relatively new on the scene. They've been described as Indie Rock/Electronica by some, and self-described (gee, toungue-in-cheek?) "Surf/Jungle/Country" on MySpace; their catchy, synth-y, electro-pop makes me want to jump up from my cubicle/bathtub/couch and shimmy around like a young thing (am I a young thing? I don't know what the cutoff is.). The tracks that are more '70's psychodelic-rock-esque are not to be forgotten, either.

LCD Soundsystem-
Been enjoying their also-incredibly-danceable electro-ey stuff for a while now. Also an NYC group, they can also be described as Electro-Indie-Rock but are self-described as Punk/Funk/Disco House on MySpace. Their recent album, Sound of Silver, has a couple tracks that are sure to be recognized from television commercials, or other mainstream stuff, if I could recall. It's really an epic album, catchy and able to be broadly appreciated, but deep and varied at the same time. It's something to rally to...I've got a fever, and the only prescription is more cowbell.

Liam Finn-
I unfortunately missed his in-store at Easy Street, but really love his debut album, "I'll Be Lightening". Maybe a little bit like Elliott Smith, but a little peppier, or dreamier, perhaps. Definitely dreamy, although also rockin'.

Nada Surf-
J'adore Nada Surf, and not just because they have a small repertoire of French songs. Brooklyn again, these guys have a dreamy, contemplative quality to their music that gets me. Lucky, their new album, may be more melancholy than their previous two, but there's a youthfulness that defines their sound, maybe partially in the beats and guitar, maybe partially in Matthew's voice, that persists. Definitely looking forward to the show at the Showbox at the end of the month.

Vampire Weekend-
Another new NY band (I see a pattern, is it telling me something?), they are being hyped a lot right now. Their melodic, sound is kind of World-y, the Easy Street review said something about "Afro-beats." It actually makes me think a lot of Paul Simon, in quality of voice and world-music beats. Indie Paul Simon with organ and southern-hemisphere musicians, in a musical... and it's awesome!

Spoon-
Best thing ever to come out of Texas. Okay, have never been close to Texas, but you know what I'm saying. Their recent album, Ga Ga Ga, is another great one in a legacy of good, solid rock, stretching back pretty far. Wish I'd paid attention sooner. From what I hear, maybe I should try out this Austin place.

Flight of the Conchords-
More than a band, A comedic sensation currently monopolized by HBO. Two NZ comedic musicians trying to make it in NYC. If you don't get cable, like me, you can catch their album in stores, Netflix the first season, and/or see their clips on YouTube.

Ingrid Michaelson-

Brooklyn sing-songy indie chanteuse is getting pretty well publicized, down to her Old Navy ad. Her voice has a nice, buttery quality that I like, and it integrates well into the overall sound. The songs in Girls and Boys make nice stories.

Daft Punk-
Good, old-fashioned Electro-Dance. The mother of all of them...French.

Juno Soundtrack-
Wonderful movie, great soundtrack. Kimya Dawson, Moldy Peaches, Sonic Youth, Velvet Underground, Cat Power, Also made me remember how much I like...


Belle and Sebastian-
Beautifully sung duets, they are the king and queen of pure folksy lyric indie wonderfulness. They've put out quite a few albums. I've been enjoying Dear Catastrophe Waitress a lot lately, though If You're Feeling Sinister and Fold Your Hands, Child, You Walk Like a Peasant are excellent as well.

Feist-
You may know her from the iPod commercial...

New Pornographers-
They've been around quite a while, but they're new to me, thanks to a good friend's good suggestion. BC, so yay, locals. They'll be at Sasquatch this year.

CSS (Cansei De Ser Sexy)
Also recognizeable from (newer) iPod commercial ("music is my boyfriend"), this female-led Brazilian group is a rebellious, sexy blend of altern0-electro-punk. Edgy, discordant at times, while being catchy and danceable at the same time. Reminds me, at times, of Cibo Matto in the arcade sounds and lead vocals.

hmm, Cibo Matto... it's been too long.







harvey danger



My friend and coworker Laurie, femme extrordinaire, in addition to her dayjob, is an art gallery/show curator (sorry for any title butchering, I'm doing my best from my sad memory) and musician, and snuck us backstage to see their band, Nebraska Alaska, open for the Harvey Danger Tenth Anniversary show Friday. Sadly, there was a mixup on the time and we got there just as N/A was ending their set (we'll catch you guys again soon, hopefully). However, the Harvey Danger crew pulled off a great show and I was honored to get to be up in the box for the second night of their anniversary show, which was conceived as a run of every song off their albums, plus b-sides, beginning to end, in two nights. 'Twas lovely, right down to the carnation in Sean Nelson's lapel.

Sean, I hope you never read this, but if you do, I'd like to apologize. I spoke with you a whole ten minutes at Moe during the Super Fat Tuesday event, and I may have come across as someone just shooting the shit and wasting your time. So I didn't bug you Friday when we crossed paths a few times in the green room, or whatever that little glass box overlooking the stage is called, but you kind of looked at us, maybe wondering why the hell we were in the box, and I regret not interrupting my friends to tell you it was a good performance. Cheers.

Wednesday, March 5, 2008

photos- ace hotel


a few interior photos (here) of my room in PDX at the design-ey Ace Hotel, as promised in an earlier, rambling blog entry.

Monday, March 3, 2008

design competition / PDX

Last fall our office collaborated in a design competition for Portland (Oregon) Metro that asked students and professionals to envision how the urban environment might develop over time to allow increased human density and increased habitat. My office participated in it, and the process was both cool and difficult. I contributed mainly in the environmental education piece and graphic production but also in the conceptualization and brainstorming in the beginning. Our entry focused on not only the sustainable design of the site, a residential block, through ecological and community-making best practices, would transform the place, but how crucial policy and education would be in instigating and embracing systematic change that nurtured environmental sensitivity within a densifying urban fabric.

The contest was the brainchild of our design director, and the legwork and coordination of another coworker of mine, but when it came down to it, neither of them could make it to the award announcements and ceremony in Portland last week, so they sent me (we had a 24-person team and they sent me, haha).

And we won two significant awards, holy crap. Out of 108 entries in the whole show, we won second in our category by the jurors and best at the event as voted by the attendees- which also meant that we were the only entrants to receive more than one award. It was all very overwhelming, as the train got me down there late, and I entered the art museum to the proceedings already begun and had to nose through the crowd and orient myself as to what was going on. However, it was good I was there to represent our team, in light of the winning. I actually got to meet Susan Szenasy, the editor of the very-cool New York-based Metropolis magazine and juror of the contest. She was very kind, and pretty down-to-earth-seeming, which I found especially interesting given her intellectual/savvy/shrewd image and reputation. I wouldn't mind being her successor in the effort toward functional and beautiful sustainable design through intellectual critique by an opinionated woman. ;)

Annnyway, our little office has Portland Metro calling about our approach to our design, and The Oregonian interviewed us immediately on Friday. Pretty crazy. Here's the entry: http://www.integratinghabitats.org/photos/max/PE3001.jpg
and the competition premise and context:
http://www.metro-region.org/index.cfm/go/by.web/id=21627

And I absolutely must swoon and thank Laurie in our office for hooking me up with a sweet hotel last minute. I must post photos of its kickass design to Flickr soon, but it's too late right this minute, and a link to the Ace hotel will have to suffice for now. There's an Ace in Seattle (the original one) and one in PDX, and the design is so incredibly indie and ReadyMade (a magazine which is provided, along with Spin and The Believer and graphic quarterlies, in the hotel's library loft and your room's bedside table).... From the mod/reused/ironic/carefully-thought-through design elements which are pretty minimalist while being designed in detail and accented with meaning; to the made-in-oregon and organic everything; to its careful but unique and mod conversion of the historic brick building a half-block away from Powell's, Portland's legendary bookstore; the place is so cool.

So very cool. So very, very cool. Almost too cool, with its retiring, polite-enough-but-unimpressed staff, poem stenciled on the wall, and abundance of grey. I love grey, and I really like this hotel, and the fun little elements about it. But, and I'm not sure if it's Portland's in-ness that is making me predisposed to wanting to buck the trend, but the place seems like it's trying too hard.

Like the city itself, the Ace seems as though it's so thoughtfully contrived, to be cool and smart like everything is in that area, that it has turned into this homogenized, over-the-top cool. As though Portland is so lovely, to me, that there isn't enough contrast, it's kind of vanilla. So many lovely little things here and there, as in the park blocks, and in the new cool spots in the Pearl, that you don't have the contrast of the weird or edgy, like I'm used to in Seattle. So yeah, Portland is doing a lot of things better, I hear it all the time and I'll acknowledge, has it's sh!t together more than Seattle (I will give you the way better planning and transportation setups, and dreamy walkability), but there's something I'm used to about Seattle's organic funk and creativity, that kind of crazy mishmash I like...and plus, the Emerald City is way prettier.

But really, Portland and Seattle are siblings that could stand to stop being compared to each other...they really are different beasts. Seattle is the first child, the one that was an unplanned early pregnancy and was a result of passion, and not planning, and whose Alaska Yukon Gold Rush gestational period was the equivalent of a teen mother on coke. With the lovely good looks going for it, Seattle had to learn on its own as it grew, and was sent through the wringer along the way, a result of its bickering, dysfunctional parents. Portland came along later, to founding fathers who knew how they wanted to raise a polite, genteel, livable city. Sure it wasn't as stunningly good-looking, but that would be compensated for in proper thought and planning. Seattle became the temperamental, dysfunctional, chain-smoking starlet with potential but no organization or focus to pull anything off, and Portland the cute, friendly, A-Type little sibling that tried harder. These are children, I think, who could stand to stop being compared to each other ...don't ask about Tacoma, though, it's the unfortunate stepchild, not nearly as cute or smart, had to go into the military to get much a of a future, and is always overlooked.

To conclude, it was a good trip. Nice train ride down, nice stay in a nice place for a very nice reason, albeit too short, and a nice train ride back. I hope, next time, however, to have more time to enjoy my fair-trade Stumptown espresso beverage alongside my complimentary Macbook while scanning for hipsters over my equally-hip periodical literature in the loft.